Drummer Reacts to "Genshin Impact – Inevitable Conflict"



Original: https://www.youtube.com/watch?v=ZuV38DZQgvM&ab_channel=HOYO-MiX-Topic
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Drumming Music Drums Drum Drummer reacts reaction reactor Inevitable Conflict HOYO-MiX Genshin Impact Millelith’s Watch (Original Game Soundtrack) miHoYo

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20 thoughts on “Drummer Reacts to "Genshin Impact – Inevitable Conflict"”

  1. Probably my favorite music in the entire game. This music plays in a place underground that was product of a great calamity thousands of years ago, but the resulting landscape is unimaginably beautiful and mesmerizing, so you are sort of in a middle ground between empathizing with the tragedy that took place here and appreciating the beauty that came after the fall. The theme of life born from destruction is very important for this game and I believe this music in particular encapsulates that idea brillianty. "Appreciate what you have now, but never forget what came before, what was sacrificed for our current reality to exist".

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  2. The Chasm has one of my absolute favorite OSTs in genshin. Like, "Decayed in the darkness", absolute love the melancholy in that one
    And also, Chasm battle music always feels like continuation of the main ost, it doesn't startle you, just gets more intense.

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  3. If you want something from Genshin Impact with a little bit more percussion, you can take a look at the concert version of the "Rapid as Wildfires". There is no video on YouTube with just this track alone but you can search for "Genshin Concert 2022" on the official Genshin Impact YouTube channel and skip to 46:40.

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  4. This song is one of my favorites in the entire game, and so is the specific disc it’s on from this album. Another one from this same album and disc that I like a lot is Irresistible Force, which is the China-fied version of Tremor of Menace, and has a lot more percussion.

    In two cases so far the game has taken music from “regionless” areas (parts of the world that are older than the current nations of the game) and made new versions adding in traditional instrumentation of the countries that now sit upon those ruins.

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